Fakir Khana Museum Lahore

Defining a city is not simple; it combines various little things. There are millions of perceptions among millions of people. Some individuals consider the town to be the number of its verifiable destinations. Others see it as the made-out individuals who live in it. If then inquired: Who are these individuals? What are their accounts? Frequently went through oral customs, they represent the key to the view of what Lahore used to be instead of what it is presently. They take special care of a specific creative mind of the city. Be that as it may, they take special care of a perspective on history sifted through a group’s story. A view recalls Lahore by bringing out and esteeming the existences of the people who have strolled this city, people whose presence has been failed to remember in the texture of time. This is about Fakir Khana Museum Lahore

Accordingly, the people who have visited the dwelling place of the Fakirs, in the clamoring Bazaar-e-Hakeeman inside Bhatti Gate, would know about the glory that this family appreciates. The Fakirs have transformed their home into a confidential historical center, the Fakir Khana Museum Lahore, which considers itself a fundamental part of the grandest on this earth. The esteem they hold isn’t just an outcome of their acquired calling as hakims or doctors; it is also connected to their rich contribution throughout the entire existence of Punjab and Lahore. Since their contribution traces back to the time of the Mughal decrease in the subcontinent, the family is known to have a unique relationship with the city.

The Fakir Khana Museum, organized and claimed by Fakir Syed Saifuddin, is South Asia’s single biggest exclusive historical center. Yet, stroll into it, and it doesn’t seem to be a historical center.

Major Attractions at Fakir Khana Museum

Fakir Khana museum is one of the most prominent museums in far Asia. It contains about 20 thousand relics, fragments, calligraphic texts, religious items, findings from past wars, et cetera; it has become one of Pakistan’s most prominent tourist attractions. Furthermore, The gallery’s assortment comprises roughly 20,000 bits of craftsmanship and relics generally from the eighteenth to twentieth centuries, including a small variety of Gandharan artifacts. The type likewise contains Early Qurans Handwriting, Islamic calligraphy, Sculptures of Gandhara, Carvings, Hall of Miniatures, Collection of Sikh Era Textiles, Gandharan Artifacts, Vast Collection of Paintings, Masterpiece of Mumtaz AliPortraits of Mughal Emperors, Buddist Art, Gandhara Civilization, Small Armory of Sikh Weapons, Porcelain pieces of old Chinese, Japanese, Korean, Russian, French and Dutch crockery. Kashmiri Shawl of Maharani Jinda, Robe of Maharaja Ranjit Singh, Statue of Raja Poros, Old Coins Collection, et cetera.

Among the following are various gifts presented to the Fakir family by Ranjit Singh, as well as 10,000 original copies, 180 showing smaller than usual works of art, Sikh period materials, sculpture, ceramics, and cut ivory pieces. The assortment additionally incorporates a 12 6-inch painting of Nawab Mumtaz Ali, painted with solitary hair and expected 15 years to be completed.

The Fakir family was founded in Lahore, Punjab, a home in about 1730, and thereby subsequently constructed a publishing house. Their status in Lahore society is rooted in its associations with the Sikh Empire – three of the family’s progenitors, Fakir Nooruddin, Fakir Azizuddin, and Fakir Imamuddin, filled in as messengers to Maharaja Ranjit Singh. The family amassed an assortment of items, including many presented to the family by Ranjit Singh. The family opened their home as an exhibition hall open to the general population in 1901, and the site gets some administration assets for its support.

History of Fakir Khana Museum

The time of Sikh rule in Punjab relates to a critical section in Lahore’s set of experiences, yet one that has been misrepresented inside patriot historiography. At the gamble of saying out loud what everyone was already thinking, the figure of Ranjit Singh is consigned to the references of practically all verifiable records. A frequently rehashed tale about this man restricts itself to portraying him as somebody who changed over the Badshahi Mosque into a steady one following the Sikh intrusion of Lahore in 1799. Ranjit Singh is likewise infamous for stripping Lahore’s outstanding landmarks of practically every one of the plated decorations and gems and having them moved to Amritsar. It is accepted that the most impacted milestone was the Sheesh Mahal-its mirrors were taken out and later used to finish the Golden Temple. This is the patriot variant of history, in which Ranjit Singh’s life is diminished to an account of plunder and loot. Such an impression of Ranjit Singh additionally comes at the expense of mutilating a picture of what Lahore had been similar to subject to his authority.

“This abuse is so heartbreaking, for Ranjit Singh and Lahore can’t be and ought not to be held back inside a rendition of history that talks just of violence,” says Mr. Saifuddin.

He started his side of the story by contending that it was never an ‘invasion that brought Lahore under Ranjit Singh’s standard.

“Following a declining Mughal realm, Ranjit Singh’s entrance into Lahore was not a second to be grieved a gift in disguise yet,” he contended. This is where patriot adaptations of history conflict with the point of view of the Fakirs. The strain between these two renditions of history is a side effect of the patriotism cultivated in Pakistan: a patriotism that channels history through the crystal of religion. Our set of experiences course books underwrite the great deeds of Muslim rulers and minimize the job of others.

This is one reason why standing by listening to accounts of individuals like the Fakirs and visiting places like the Fakir Khana becomes crucial because one becomes mindful of what can be considered a neighborhood instead of public history. This set of experiences interceded through antiquities and stories and tried to connect enormous holes in accounts about Lahore. For example, one not just realizes who the Fakirs were but also how they fit into the historical backdrop of this city and an integral part of it. We are likewise made to consider elective stories as indicated by which Ranjit Singh would never have stolen from Lahore since he was a Punjabi on a fundamental level: “Punjab was his home. It was his pride,” said Saifuddin.

Saifuddin sees his accounts as massive for the present age because, as he puts it, “It was during the time of Ranjit Singh’s standard that Punjab was bound together interestingly. The man never had a coin stamped in his name. From him, we can figure out how to run a province and even a common state.”

While the issue of secularism is disputable and undeniably more chaotic, the Fakirs consider the time of Sikh rule to be a snapshot of extraordinary dependability and fortitude in Lahore. Guests to the Fakir Khana today are not simply given a simple visit through the historical center; Fakir Saifuddin furnishes them with the historical backdrop of the gallery and does such through stories he relates with extraordinary energy.

Perhaps the primary inquiry that emerges after hearing Fakir Saifuddin is the somewhat precarious inquiry of truth itself. In the field of history, the reality stays a hostile term, mainly when there is a scope of voices, every which guarantees to be valid. It tends to have contended that there are different insights into a specific feature of history. Fakir Saifuddin investigates just a single conceivable truth about the historical backdrop of Lahore, surrendering it to his audience members to decide for themselves what they might consider their reality.

Ticket Price

There is no fixed ticket price, and you must make an appointment on call from Museum in order to visit Museum.

Timings & Visiting Days

The general regulations entail particular visitation timings. The Museum is open from Tuesday to Sunday from 10 am to 5 pm.

The Fakir Khana historical center is an uncommon gallery since, as Saifuddin indicated, history turns into a lived experience here. “I am a piece of this history,” he said. The narratives joined to each object in the Fakir Khana give the family, including Saifuddin, a feeling of being so far off but so near their past. For guests, then again, the wistfulness isn’t something very similar; the vast majority have no clue about the historical backdrop of the Fakir Khana regardless, and frequently they are shocked by the accounts they hear. However, I accept that a discussion with Syed Saifuddin merits its legitimacy. In addition to the fact that he is a man with an electric character, he knows how to make his watchers question how their feeling about the past is developed. His enthusiastic way and the narratives he tells entertain and motivate his audience members while recommending that Lahore must be ‘discovered.’But, in particular, in regards to the inquiry, I started with, “What is Lahore?” they underscore that there is beyond one manner by which Lahore can be envisioned and keeps on being envisioned by specific individuals. These tales about the Fakirs, introduced to the audience as one of the many qissa’s of Lahore, collaborate with our minds in various ways, bringing out the complex and different nature of this city.

Fakir Khana Museum Location & Contact

The location for the Museum is; Hakimian Bazar, Kucha Faqirkhana, Kucha Astana Sharif Walled City of Lahore. The contact number for the Museum is +92 321 7450598.


Who is the owner of the Fakir Khana Museum?

Fakir Syed Saifuddin curates the Museum.

What are your favorite things about Fakir Khana Museum?

There is a vast collection of paintings hung in this private Museum. These include works of Irani, Mughal, Kangra, Rajput, and Pahari schools. There is a masterpiece of Mumtaz Ali from the 19th century, which took 15 years to paint. It is one foot tall and half a foot wide.

What are the timings of the Fakir Khana Museum?

The Museum is open from 10 am till 5 pm from Tuesday to Sunday.

Where is Fakir Khana Museum located?

It is located in Hakiman Bazar.

What is the contact number of the Fakir Khana Museum?

The contact number for the Museum is +92 321 7450598.

How to visit Fakir Kahana Museum?

You can visit the Museum by making an appointment on call.

What is the ticket price of the Fakir Khana Museum?

Entry to the Museum is free. However, you need a prior appointment for a visit.